IAJE 2006 NYC
The
33rd Annual IAJE kicked off Wednesday, January 11 in New York City. This gathering of some 8000
jazz educators, performers, fans, and students descended
on the Midtown Sheraton and Hilton hotels with
anticipation of an interesting and entertaining 4 days
of clinics, discussions, performances and celebrations
of jazz..
The
Ravi Coltrane Quartet launched the festival off to a hot
start. A quick hop later over to the Sheraton ballroom
offered Monty Alexander followed by the always-worth
staying-up-late-for Maria Schneider Orchestra.
The
late night made it hard to gear up on Thursday but
“Billy’s Bounce”, a discussion with the great Billy
Taylor led by A.B. Spellman was compelling.
With
a conference schedule marked and highlighted with so
many interesting topics and discussions – “Hunting for
Jazz Treasures: Discovering the Monk-Coltrane Tapes”;
“The Photographic Legacy of Jazz”; Nneenna Freelon’s
excellent “Blueprint of a Lady: The Once & Future Life
of the Jazz Singer”; JJA’s “Journalists in a Digital
World”; “Clark Terry: The Man & His Music” hosted by Nat
Hentoff – the choices were not always easy.
“Jazz
Lives in Print”, hosted by Seattle’s Paul de Barros
brought together authors of recent jazz biographies
including Peter Levinson’s Tommy Dorsey, Doug
Ramsay’s Take Five: The Public and Private Lives of
Paul Desmond, and Gary Giddins’ book of jazz
criticism, Weather Bird, Jazz at the Dawn of its
Second Century. These and other authors participated
in a discussion of how they became interested in their
subjects and how they went about gathering their
information.
Next
came a “Downbeat First-Person Interview” with Sonny
Rollins hosted by Ira Gitler. An under-the weather but
sharply dressed Sonny nevertheless stepped through the
defining moments of his life in jazz with Ira prodding
memories of historical vignettes. To watch Sonny speak
is an interesting comparison to watching him play. His
elegant hands sporting very long fingers are constantly
in motion expressing his ideas. It sometimes seemed as
though they were in search of his saxophone to complete
his thoughts. Sonny projected the essence of cool.

The
NEA Jazz Masters Awards Concert is always a part of
IAJE. New inductees Tony Bennett, Bob Brookmeyer, Ray
Baretto, John Levy, Freddie Hubbard, Chick Corea, and
Buddy DeFranco were honored at a concert on Friday
night. Performances included The Jon Faddis Orchestra
and The Count Basie Orchestra featuring Nneena Freelon.
In 2006 the NEA presence was special for another reason.
A gathering of 24 past and present NEA Jazz Masters took
place with a photo session followed by a luncheon. View
Jazzoids’ historic photo here.
Among
the many school ensembles performing was an accomplished
Manhattan School of Music Jazz Orchestra. This excellent
performance was followed by the New York University
Concert Jazz Ensemble featuring Richard Bona and Kenny
Werner.
The Pacific Northwest was well-represented as it usually is.
This year The Bellevue Community College Monday Night
Band performed (with a couple of Seattle Repertory Jazz
Orchestra members sitting in). Also, multi-award winning
Roosevelt Jazz Band got everyone awake and moving on
Saturday morning.
Seattle’s jazz supporters
Clarence Acox, Paul De Barros, John Gilbreath, Doug
Ramsay, and others were there to swing with the band.
Jay Lepley, former RJB drummer and New
School
University graduate, now a
working musician in NYC, was on hand to cheer his alma
mater. View pictures of RJB band director, Scott Brown,
with Jay and also Clarence Acox, band director of the
frequent IAJE performer Garfield Jazz Band with Jay.
Big
bands are a popular part of the IAJE performances and
this year did not disappoint. The already mentioned high
point of the Maria Schneider Jazz Orchestra and then The
Jon Faddis Big Band, The Count Basie Orchestra Band were
followed by the University of North Texas One O’clock
Lab Band, The Mingus Big Band, The Orquesta Interescolar
Jazz en Lima (from Peru), The Jim Cullum Big Band, and The Trondheim Jazz
Orchestra featuring Chick Corea. Also on hand was.
the Bob Mintzer Big Band.
Jazz
from Scandinavia was well-represented by musicians and
bands from Norway, Sweden,
Denmark, and Finland. These
participants were eagerly taking in everything and lent
a European flavor to the events.
One
note about crowds. Perhaps it is a tribute to the
increasing interest in jazz and jazz education, but
there were frequent times when venues were unable to
afford seating or standing room for performances during
the conference. Many were turned away. In what is
cherished as such a casual and open culture, that of
jazz, it is disappointing to run into these roadblocks
to participation.
On
the other hand, one of the great things about holding
IAJE in New York City is, of course, the additional
access to so many clubs where still more musicians are
practicing their craft to appreciative audiences. A
late-night excursion to Dizzy’s Coca Cola Club afforded
a chance to hear the Montreux Jazz winners in this
spectacular setting with the New York Skyline as a
backdrop to the performers.
The
good news is the 2007 34th Annual IAJE
Conference will again take place in NYC. Get plenty of
rest before you arrive because you will have many better
things to do than sleep once the event begins! See you
there!