IAJE 2005
The 32nd
Annual
Conference of the International Association for
Jazz Education (IAJE), was held January 5 -8 at
the Long Beach Convention Center. More than 8000
educators, musicians, students, industry
participants, and fans, descended on this
picturesque area near marinas, the Queen Mary,
and Long Beach's chic restaurants and shops.
For four days attendees scurried between hotels,
The Terrace Theater, hotel ballrooms and meeting
rooms taking in concerts, clinics, workshops,
industry track events, demonstrations, and panel discussions.
There are so many overlapping events happening
that often one has to try to "be in 2 places at
one time".
The 5th Annual IAJE Gala Dinner, hosted by
jazz vocalist Nancy Wilson kicked off the 2005
IAJE conference Wednesday evening. The
President's Award was presented to guest of
honor, pianist Herbie Hancock. The Sisters in
Jazz (Seattle's Carmen Staaf on piano!) and
Eldar Djangirov performed for the crowd.
Thursday's big event focused on the IAJE hosted Annual
National Endowment for the Arts Jazz Masters
Awards Concert. Kenny Burrell, Paquito D'Rivera,
Slide Hampton, Shirley Horn, Jimmy Smith, the
late Artie Shaw and promoter George Wein were
all honored as the most recent inductees to this
prestigious group. (Friday afternoon many of the
honorees gathered in a panel sesssion moderated
by A.B.Spellman, where they gave interesting and
sometimes humorous insights to their
background.) The NEA Jazz Masters Awards Concert
featured The Thelonius Monk Institute ensemble
with Herbie Hancock, a tribute to Antonio Carlos
Jobim, and the Pancho Sanchez Latin Jazz Band.
One of the many
highlights was
the Down Beat Blindfold Test featuring bassist
Charlie Haden and journalist Dan Ouellette.
Examples of works by various bassists chosen by
Dan were played for Charlie who then had to
guess who the performing artist was. As he
reasoned through his answers, tidbits about his
approach to the bass were revealed. It was a
humorous and enlightening hour.
Another really special performance was that of
the Seattle based Jovino Santos Neto Quinteto.
The Brazilian born Santos Neto kept the energy
of the music flying and everyone in the packed
ballroom was on their feet moving to the
infectious rhythms.
Seattle's Garfield High School once again
attended and performed at IAJE. Saturday
afternoon they performed with guest, Terrell
Stafford. Saturday evening they opened up the
finale concerts, followed by the Yellow Jackets,
and then the hugely popular Gordon Goodwin Big
Phat Band with clarinetist Eddie Daniels.
Among the many other performances at IAJE 2005 were:
Dee Dee Bridgewater, James Moody, Geri Allen
Trio, Billy Hart, The Bad Plus, Gerald Wilson,
Diane Schur with Dave Samuels and the Carribbean
Jazz Project, Roy Haynes, Bob Florence Limited
Edition, Kim Richmond Jazz Orchestra, Rhubumba,
Kenny Burrell Quintet, Monica Mancini, Tierney
Sutton, and a host of regional school bands. It
was a feast for big band lovers.
By
Friday IAJE attendees were being drenched by the
news-making Southern California rains. Rivers of
water were gushing through the streets and
everyone was dashing between venues and trying
to stay inside. That rain was far worse than the
oft-present but much more gentle rain of the
Pacific Northwest.
The 2006 and 2007 IAJEs will be held in New York
City This is particularly exciting because NYC
already boasts some of the best venues and
largest roster of available working performers
to augment the conference. This bodes well for
jazz lovers in January!
When the jazz
community comes together for IAJE it exempifies
a collegial, inclusive, and dedicated spirit. Young
students are given a chance to "hang out" with
their idols, teachers encourage their students
to shine, former bandmates reconnect, networking
is facilitated, and performers pull out all the
stops for the knowledgeable and enthusiastic
audiences. The sense of kinship, history, and
mentoring permeates the halls. The thrill of
hearing the audience pick up on a subtle nuance
of musical humor or appreciate an especially tricky
passage in a musician's performance is a
constant pleasure.